Why 29.97 instead of 30 fps

The problem is, there is no perfect way to synthesize the in-between frames. For a 30 fps video, frame number 3 would be displayed at ms. For a 24 fps video, however, there is no frame that represents this timecode. The closest times are frame number 2 at 83ms and frame number 3 at ms.

By blending the two frames together, you can approximate what should be displayed at ms. Now that you understand the standard frame rates, how they came to be, and how seemingly small differences Try it out for yourself and see if you can recreate some of the sample videos above.

Years of history, calculations, and trial and error have gone into the standardized frame rates we use repeatedly in our work.

By learning more about the reasons why these standards exist, we can better understand why our media acts and looks the way that it does. And by understanding the facts and figures behind frame rate conversions, we can easily plan for tricky post-production situations that could stall an otherwise smooth video editing workflow.

Learn more about video frame rate and its effect on timecode in Decoding Timecode Standards in Video Production. As an expert in media post-production technology and a longtime fixture in the St. Louis arts community, he has helped produce numerous narrative projects with local filmmakers. Jason earned a B. Close Menu Products. SNS workflow solutions are behind the movies you see, the shows you watch, the music you love, the games you play, and so much more….

Sign up. Origins on the Silver Screen There is no single standard for video frame rates or framerates, frames per second, fps. More televisions in more households catapulted the media production industry to new heights and created greater standardization challenges.

As filmmakers and editors, we know that frame rates—like so many other factors—can change the way we understand a shot. The codec develped by Cinegy Cinegy Daniel2 is a game changer to the post-prod workflow. It is a open source codec, ultra eficient, based on GPU image processing witch bring a whole another level in terms of image processing Current GPUs deal, with ease, 8k footage!!

This is a massive improvement to all the small production companies, this is a solution that gives the best! Just want to spread the word about this! I ask the community to embrace the idea of new. If it wasnt for these leaps in technology Choose your information. Be wise about the information you choose. Don't take for granted anything that is put out there without experienced it!

The analog system was deactivated years ago, and thus we should not be saddled with these asinine non-integer frame rates anymore. We shouldn't have interlacing either, but the gutless ATSC caved to ignorant, lazy, FUD-spreading broadcasters who whined that progressive footage would "break their pipelines. Skip to main content. T E pat vet-training. Page 1 of 1 4 items. Why Reply Contact. Why use Media Composer Re: Why Thanks for the explanation.

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